Orchestral Conductor

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Recent performance highlights include Carmen at the Opéra Comique in Paris as well as concerts with the Orchestre national Île-de-France, the Orchestre de chambre de Paris, and the Sinfonieorchester Basel. These engagements have led Sora Elisabeth to conduct in such illustrious venues as the Philharmonie de Paris, the Théâtre du Châtelet, Salle Gaveau and the Stadtcasino Basel. She also jumped in with short notice to lead the French premiere of the opera Die Vögel by Walter Braunfels at Opéra national du Rhin (Strasbourg), for which she obtained the honour of a standing ovation.

Her work as an assistant conductor has led to close collaborations with renowned conductors such as Aziz Shokhakimov, Jaap van Zweden, Klaus Mäkelä, Louis Langrée and Stanislav Kochanovsky.

Sora Elisabeth holds a Master’s in Orchestral Conducting from the Conservatoire national supérieur de musique et de danse de Paris, where she studied with Alain Altinoglu. Her training in France was preceded by a Bachelor with Bruno Weil at the University of Music and Performing Arts in Munich, Germany. Parallel to her studies, Sora Elisabeth conducted the BBC Philharmonic, the Münchner Symphoniker, the Münchener Kammerorchester, and the Dresdner Philharmonie Kammerorchester.

She gathered further inspiration from Jorma Panula (Panula Academy), Fabio Luisi (Fondazione Arturo Toscanini), Stefan Asbury (Tanglewood Music Center Conducting Fellowship Program), Richard Hetherington and Mark Shanahan (Royal Opera House Covent Garden), Clark Rundell and Mark Heron (Royal Northern College of Music), as well as Lawrence Foster, Ed Spanjaard, and Ekkehard Klemm.

The ambitious young musician is also an award-winning solo and collaborative pianist. Her sensitivity and vast experience make her a sought-after collaborative partner for instrumentalists and singers alike, as evidenced by her Prize for Best Accompanist at the 2014 International Joseph Suder Lied Competition in Nürnberg, Germany.

Sora Elisabeth has a great appreciation for the importance of language and has learned German, English, French and Italian since moving to Europe in 2012. She is currently based in Paris, France.

Sora Elisabeth Lee

OCCUPATION
Artist in residency, Festival d’Aix-en-Provence/ France (2024)
Assistant Conductor, Orchestre de Paris/ Paris, France (2022-2023)
Assistant Conductor, Opéra national du Rhin/ Strasbourg, France (2021-2022)

EDUCATION
2017-2019 Master’s in Orchestral Conducting,
Conservatoire National Supérieur de
Musique et de Danse de Paris, France/ Prof. Alain Altinoglu
2012-2016 Bachelor’s in Orchestral Conducting,
University of Music and Performing Arts
Munich, Germany/ Prof. Bruno Weil

ORCHESTRAS
Orchestre de Paris, BBC Philharmonic, Ensemble intercontemporain, Orchestre les Siécles, Orchestre philharmonie de Strasbourg, Munich Symphony Orchestra, Dresden Philharmonic Chamber Orchestra, Orchestre Pasdeloup, Orchestre Regional Avignon-Provence, Hungarian Symphony Orchestra Miskolc, Budapest MAV Orchestra, Orchestre de Picardie, Ingolstadt Georgian Chamber Orchestra, Munich Chamber Orchestra, Orchestra de chambre de Paris, Royal Northern College of Music Orchestra

MASTERCLASSES
Fabio Luisi (Fondazione Arturo Toscanini), Jorma Panula (Panula Academy), Stefan Asbury (Tanglewood Music Center Conducting Fellowship Program), Richard Hetherington, Mark Shanahan (Royal Opera House Covent Garden), Lawrence Foster, Peter Manning, Mark Heron, Clark Rundell (Royal Northern College of Music), Gal Tamas, Ed Spanjaard, Ekkehard Klemm, Alexander Liebreich, Michael Gläser, Rupert Hubert

AWARDS
Nominated for category Artist-Creative, Les Eloges 2023, France
Nominated for category Révélation Chef d’orchestre, Les Victoire de la Musique Classique 2023, France
Best pianist award, Joseph Suder Lied Competition 2014, Germany

LANGUAGES
German-fluent/ English-fluent/ French-fluent/ Italian-proficient/ Korean-native Language



Recent schedules


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6(15:00), 8, 10, 12 OCT 2024
Orchestre et choeur de l’opéra national de Lorraine

6(15:00), 8, 10, 12 Oct 2024, 20:00
Opéra national de Lorraine, Nancy

P.Hindemith
Sancta Susanna

B.Bartok
Bluebeard’s Castle

A.Honegger
Dance of the dead

22(19:30), 23(10:00) JAN 2025
Staatsphilharmonie Rheinland-Pfalz

22(19:30), 23(10:00) Jan 2025
BASF-Feierabendhaus, Ludwigshafen

L.v.Beethoven
Piano Concerto No.5 (Soloist: Katharina Treutler)

E.Grieg
Peer Gynt Suites No.1 & No.2

14 MAR 2025
Orchestre National Bordeaux Aquitaine

14 Mar 2025, 20:00
Opéra National de Bordeaux

F.Schubert
Symphony No.8 “Unfinished”

W.A.Mozart
“Chi sa, chi sa, qual sia” KV 582 (Soloist: Hera Haesang Park)
The Magic Flute: “Ach, ich fühl’s”
Cosi fan tutte: “In uomini, in soldati”
Bella mia fiamma, addio K.528

F.Mendelssohn
Symphony No.3 “Scottish”

18 APR 2025
Orchestre Philharmonique Royal de Liège

18 Apr 2025, 18:30
Salle Philharmonique, Liège

N/N

24, 26, 27, 29, 30 MAY/ 1(15:00), 3, 4 JUN 2025
Orchestre chambre de Paris

24, 26, 27, 29, 30 May/ 1(15:00), 3, 4 Jun 2025, 20:00
Théâtre du Châtelet, Paris

G.Bizet
Le Docteur Miracle, L’Arlésienne

27, 29(14:30), 30 JUN/ 1, 3, 4, 6(14:30), 7, 9, 10, 12, 14 JUL 2025
Orchestre de l’Opéra national de Paris

27, 29(14:30), 30 Jun/ 1, 3, 4, 6(14:30), 7, 9, 10, 12, 14 Jul 2025, 19:30
Opera Bastille, Paris

P.I.Tchaikovsky
The Sleeping Beauty Op.66

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l’Académie d’été de l’Orchestre de Paris - 4 September 2022

Programme: G.Fauré - Pelléas et Mélisande
Grande salle Pierre Boulez, Philharmonie de Paris


Le concert s’ouvre toutefois avec, à la direction, Sora Elisabeth Lee, cheffe assistante de l’Orchestre de Paris, qui propose un Pelléas et Mélisande de Fauré vibrant et habité.
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Orchestre Philharmonique de Strasbourg - 19 January 2022

Programme: Die Vögel - Walter Braunfels
Opera national du Rhin, Strasbourg


“La cheffe dirige l’Orchestre Philharmonique de Strasbourg comme une vague montant inexorablement. Les sonorités, liquides ou pâteuses, sont travaillées avec poésie ou expressivité, avec mélancolie ou énergie, comme dans le ballet de l’acte II. (…) La jeune cheffe de la maison Sora Elisabeth Lee, obtient aux saluts les honneurs d’une standing ovation.”
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Orchestre des Champ-Élysées - 4 May 2023

Programme: Carmen - George Bizet
Théâtre National de l’Opéra-Comique, Paris


C’est d’une main explosive que débute l’opéra : à peine le public a-t-il le temps d’applaudir Sora Elisabeth Lee qu’elle lève sa baguette pour lancer, galopante, l’ouverture de Carmen. (…)
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Seongmin Mun